February 6, 2024
In 2004, IPI released ClimateNotebook, the first desktop software designed specifically for libraries, archives, and museums to graph environmental data and generate reports with preservation analysis. In 2012, eClimateNotebook (eCNB) was launched. A web application that synthesized the strengths of ClimateNotebook, and IPI’s other preservation management tools (MyClimateData and PEMdata) into a single, unified platform. This year we look forward to celebrating another milestone in IPI’s 20+ years of commitment to preservation management programs, when we launch an upgraded version of eClimateNotebook. Our efforts to update and upgrade the eCNB user experience have taken longer than expected, but the additional time allocated ensures that we meet our goals and expectations for the rewrite. We hope to announce the official launch date soon. In the meantime, enjoy this preview of the new eCNB and new pricing model, compatible logger options, and the new Enterprise subscription level.
The Image Permanence Institute has been awarded $315,854 from the National Endowment for the Humanities Research & Development grant program to support a three-year research project titled, Evaluating the Mechanical Stability of 3D Printed Materials to Inform Collections Care Decision Making for Preservation and Access.
IPI is looking for a new team member in a redefined Sustainable Preservation Specialist role. The Sustainable Preservation Specialist supports professionals working in collecting institutions with environmental monitoring and sustainable preservation practices. They assist collecting institutions with basic environmental monitoring and data analysis, advise on logger placement in collection storage and exhibition spaces, and provide instruction on the use of IPI’s data management and analysis software, eClimateNotebook.
Xinxin Li is IPI’s new 3D Design Assistant working under the supervision of Meredith Noyes, Research Scientist, as part of the IMLS-funded project Foundational Research to Inform Preservation Guidelines for the Creation, Collection, and Consumption of 3D Printed Objects in Museums. Xinxin is a MFA candidate in Industrial Design at RIT and comes to IPI after receiving her BFA in Industrial Design from Savannah College of Art and Design.
In May-June 2022, IPI conducted an online survey assessing how collecting institutions are using 3D printing and interacting with 3D printed objects and materials. The survey covered three major areas: 3D printed objects and artwork found in collections, conservation treatments of 3D printed objects, and 3D printing in preservation and access activities, including its use as a tool in conservation treatments of non-3D printed objects, exhibition and display, and collections transportation.